viewpoint

seeking infinity

Here at the studio we still remember playing as a kid inside a store’s changing room where the mirrors on the left and the right were on hinges. This allowed us to turn them to face each other and we could step between them and see ourselves disappear into what seemed like infinity.

We as humans seem to have an affinity to peer into infinity.

Thinking about this the incredible appeal of peering into the infinite is one that is filled with mystery, the unknown, a world beyond our own. It taps into the human desire to explore and understand.

Several recent installations allows us to explore this both as the participant and the observer. As observer one can explore the infinite with “Outside In” a work for the 22nd International Garden Festival of Chaumont Sur Loire, France created by architects Meir Lobaton corona and Ulli Heckmann.

 

 

This work allows us to look into an infinite garden. It would seem that in this piece the longing of wanting to explore the space might be even more pronounced since one is actually outside and “just outside” too.

The second experience is “The Phoenix Is Closer Than It Appears” created by Thilo Frank. In this piece the observer is at the core (literally) and part of the infinity.

The work actually has two points of view. Here installed at the Museum of Modern Art, Aalborg, Denmark, the outside blends perfectly into the space creating an almost hidden installation.

The second way in which it works is to enter inside where you find yourself at the center of infinity where you are invited to swing.

Here at the studio we are struck by the way these seem to tap into some primal desire of humans to look into infinity and the emotions that evoke. The playfulness, mystery, seeking understanding, are all very powerful.

In creating exhibition design as much as we look for education learning impacts tied to curriculum in today’s modern museum thinking – we strongly urge that we should set emotions such as these at the core of what we are designing as well.  While there may in fact need to be more didactic exhibits, paired with experiences that touch these emotional goals, an exhibition can create a much more memorable and impactful outcome. Much like the simple experiences of that infinity we found in the store’s changing room.

 

 

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3D Space

Often science centers and other museums look to engage people about how to understand different aspects of phenomena in three dimensional space on two dimensional displays (screens, graphics etc.).

What we often do not do is represent the three dimensional space in actual 3D space, allowing us to present the phenomena’s behavior in more powerful ways.

But since we are three dimensional creatures possibly this is the best way to understand or appreciate 3d space and what occurs there – seen or unseen.

Here are two examples that certainly one can riff on that made us think about this. The first is FLUIDIC by WHITEvoid.

 

Using 12,000 suspended spheres, a camera that senses the viewer and eight high speed lasers it creates an almost magical experience. We believe that being illuminated by laser light adds something special. Certainly a concept programmed to both enchant but to do so mimicking certain scientific phenomena could be impactful. By the way want to see this in person? Go to the Temporary Museum for New Design in Milan where it will be on display through April 14th.

The second piece that is similar but different is Submergence done by a group known as Squidsoup

 

This piece includes 8,064 spheres and LED lit. It too responds to visitors. This time though it’s possible to enter the space. Imagine explaining crystal structure, data movement or some other unseen movement through 3D space. You can see this at the Gallery ROM for Art and Architecture in Oslo, Norway

Often we fixate the on screens as the visual way to present information. What we may need to do more of is dedicate more space and create 3D spaces to represent 3D phenomena. We feel this creates an experience and opportunity that in fact is more powerful that what we have normally done.

If you know of more examples send them to us here on the blog.

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time views

Something we have been running across has been videos that have been exploring what can be observed  and what becomes apparent of as one looks at a scene/event/through a compressed or extended time period.  For example:

“Departures from San Diego Int Airport Dec 27, 2012” by Cy Kuckenbake

 

The title provides a self-explanatory interpretation of six hours of aircraft departures at the San Diego International Airport. It is powerful way to make a common everyday experience incredibly amazing as well as impart the scale of a technological activity that occurs every day.

Meanwhile the film “Street” showing at the Metropolitan Museum of Art by James Nares

This slows down time while also using time as way to transect geographically the city of New York. It allows one to examine the in “moving” detail the incredible complexity of city life.

These experience point how we as experience developers and designers should at times break out of our “in the moment” experiences.

As we look at content and stories one should think how time can be manipulated to bring a new perspective and aid the impact we wish to create.

Let us know what amazing time “pieces” you know of

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light shadow mirror: viewpoint – weekly inspiration

A recent rash of projects that are definitely making us think includes works by these two artists.

 

The first set is by Rashad Alakbarov who hails from Azerbaijan. He recently displayed these works at the De Pury Gallery in the show called Fly to Baku. Here is a write-up from art wednesday.

 

 

The second set, which has also gotten some recent press, is by Jonty Hurwitz.

What both of these have in common is their powerful exploration of the importance of one “viewpoint.” Certainly, we know that whether it be looking at past moments in history, interpreting art, or even discussing science (just consider the observer impact in quantum mechanics), where one observes and when one observes have powerful effects on experience.

In thinking about exhibitions and museums, it appears at times that we concentrate too much on restricted singular views of subjects from particular institutional types: art in the art museum, science in the science museum, history in the history museum. What has gotten us thinking is how subjects like “viewpoint” can be a fascinating and intriguing way of blending all of these.

This may be fertile ground for many museums to really stress the cross connections. These pieces are just two powerful examples of art and science coming together.

We are now on the hunt for more interesting takes on “viewpoints” and we think there is an exhibition that could take shape. Look for more examples over the coming weeks and please feel free to send us yours.

Posted in: Alchemy Today, Experiences and Museums

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